Wednesday, 13 May 2009

Photography of Women

Some of you know that last year I had the fortune of travelling to China for a photography jaunt. While I did get to move around the big cities,
it was the far North West that captivated me.

The faces of the people intrigued me and though I could not speak a word (well maybe one word) I was able to communicate with my subjects and capture some stunning portraits.

This morning I have just read a
wonderful interview with Lili Almog
who has recently released her new book
The Other Half of the Sky,
portraits of women of mainland China.

To read the interview follow this link:
www.doubleexposure.com/Almog_Schaefer.shtml

To view just a few of my China Photographs visit:


Monday, 11 May 2009

Photoshop Short Cuts

Yesterday we held another of our Bluedog Introduction to Photoshop Workshops. In this we covered a few of the Photoshop shortcuts which save you a heap of time so now we are going to share more of those with all. Here’s our first list of shortcuts:

Shortcuts for the Main Tool Bar:
(please note: Keys can be sued as either lower or upper case.)
Key - Action
v - Move Tool
m - Marquee Tool
l - Lasso Tool
w - Magic Wand Tool
c - Crop Tool
i - Eyedropper Tool
j - Healing Brush tool
b - Brush/Pencil tool
s - Stamp Tool
y - History Brush Tool
e - Eraser Tool
g - Paint Bucket/Gradient Tool
o - Dodge/Burn/Sponge Tool
p - Pen Tool
t - Type tool
h - Hand Tool
n - Pencil tool
z - Zoom tool

Sunday, 10 May 2009

James Mudd's quote on Landscape Photography

Found this great quote! No doubt these words over 100 years on, ring true to avid landscape photographers ears!

James Mudd delivered the following to the Manchester Photographic Society in 1858:"Landscape photography! How pleasantly the words fall upon the ear of the enthusiasticphotographer. What agreeable association are connected with our excursions into thecountry. How often have we wandered along the rough sea-shore or climbed the breezy hillside, or descended the shady valley, or toiled along the rock bed of some mountain stream,forgetting, in the excitement of our pursuit, the burdens we carried, or the roughness of thepath we trod. What delightful hours we passed in wandering through the quiet ruins of somevenerable abbey, impressing, with wondrous truth, upon the delicate tablets we carried, themarvellous beauty of Gothic window, of broken column, and ivy wreathed arch. Howpleasant our visits to moss-green old churches and picturesque cottages and stately castlesand a thousand pretty nooks, in the shady wood, by the river side, or in the hedgerow,where the wild convolvulus, the bramble and luxuriant fern have arrested us in ourwanderings...."

Friday, 8 May 2009

It’s Autumn!

One of the most colourful seasons of the year, autumn has many photographers stopping in their tracks to capture it’s beauty.

How is the best way to photograph that vibrancy and beauty in a meaningful way? A way that shows the emotion, the colour yet add your own personal touch.
Here’s a few tips for your autumn photography:
Choosing Your Subject
It’s not all leaves! Yet those leaves do draw our attention, don’t forget autumn also means other things: birds are migrating, if autumn rains have fallen fungi are sprouting, other plants such as cactus and autumn perennials are flowering and what about that fog wafting through the valleys, around the tress and along the creeks early in the morning?
Back to the leaves, which always rank high on our list of ‘must get’ shots. What a palette of colours Mother Nature provides us with and this is where we have to have a little think as each day of autumn presents another array of changing tones. If you’re out early in the season there will still be a lot of green, later the deciduous trees will be almost or completely stark and around their trunks the ground will be carpeted thick with leaves ranging from reds to bronzes, oranges and yellows – a wonderful contrasting yet colourful sight.

Know where to find deciduous plants. Grape vines are deciduous so vineyards can provide us with great subject choices.Try botanical gardens which often have specimen plants from across the globe. Remember not all tree species change their colour at the same time.
Position, Position, Position
Look for the best angle – sometimes this is pretty obvious straight away but look around and take images from not just head-on and eye level. Ask yourself what is the best view point? Is it better from a worms eye view, lower to the ground or higher up? Try lying on the ground – look up, along it or gain more height. There’s nothing actually wrong with carrying a step ladder around in the back of the car, climbing a tree or using the roof rack on your car. Don’t limit your choices. Always remember safety first!
Composition
Yep, there’s that word again! We are capturing a tiny slice of our huge world and presenting it in a 2D rectanglar image. Be creative, know the rules, use them and of course know when and how to break them.

Aim for balance, use contrast supplied by nature wisely, bring elements close to the lens, get in close, isolate your subject, try some with angles and look for the tiny details as well as the overall scene.
When to Shoot
We all know the mornings are getting cooler and its much nicer to snuggle in bed but......
Photographers love the ‘Magic Hour’ though here in Australia it’s not really an hour. It’s a tiny slice of time before and just after the sun breaks the horizon on its way up and down each day. This is when we get the golden light where the sun emits a warmer or orange tone and is a softer and more diffused light source.

Check out the grass, now being burned by the falling overnight temperatures – look at its contrast and texture in this light. And what about those leaves? They will glow and shadows can be dramatic and moody. Then there’s that fog drifting through the valleys, along the creeks and around the mountain ridges only available early in the morning.

Just because the clouds gather don’t put the camera away and reach for a book on the couch instead. Overcast days give us lovely even lighting providing an added hand from nature for richer colours and contrast.
How to Shoot
Our rule of thumb is to choose the lowest ISO you can depending on your cameras capabilities. But most cameras can comfortably shoot up to 400 ISOO without too much noise.

Shutter speed you may not think should matter when you are photographing leaves or a tree, however if there is the slightest breeze that leaf/leaves may be blurred if your shutter speed is too slow. Keep an eye on it and if it falls too slow go to 1/250th of a second or higher to freeze that action.
Why not try using the wind to your advantage and painting a picture? Put your camera on a tripod, set a slow shutter speed, use a cable release, or remote or the cameras self timer and expose for a ¼ second or longer depending on the wind. Add to this zooming your lens in and out for an abstract effect. Who said photography was not art?

Trees can be so big! So if you are wanting that whole tree/s sharp you’ll need to use a small aperture and focus to gain maximum benefit of your focusing thirds. If you have a depth of field preview button use it!
Over and under exposing: overexposing can bring out the subtle tones while underexposing gives deeper and richer colours.

Use a polarising filter to enhance those rich colours by increasing the saturation and the wonderful blue skies we have in autumn will be captured beautifully by the polariser decreasing the haze.

Unless you can really capture something unique try not shooting directly into the sun as this will often produce lens flare and decrease saturation. When you do shoot into the sun, make sure you use a lens hood and if you don’t have one use something else: a hand, cap, notebook or anything to shield the lens.
Change the white balance and warm up those shots – we love cloudy or shade and play with your custom settings.

Don’t delete on the shoot. Wait till you get home and have a look at the images on the computer screen. You’ll often see something you may like and could have overlooked while out shooting.

It’s not all over when you finish your shoot. Back up immediately when you get home and then process your images. If you have shot in RAW you need to post process but don’t overdo it.

Have fun – get on out there and capture this wonderful season!
The birds are singing, the trees are turning and it’s time for us
to get those shutters clicking!
(c) 2009
Written by Danielle Lancaster - Bluedog Photography

Photographing Snakes

I am a self confessed scaredy cat of snakes, yet they fascinate me (and many others) and a great photograph of a snake is a prize in any wildlife photographer’s portfolio.

Getting a good, or great image of these slithering reptiles is not easy and I must stress here can be potentially lethal.
First Rule is: knowing your subject! Snakes don’t like the cold, they react to movement, they move silently, many are nocturnal and all will strike if they feel threatened or are harassed.

Most snake photography you see in books has been done under controlled and carefully planned conditions.

Tips for Snake Photography
Never, ever compromise your or anyone else’s safety. Better to leave alone than entice a situation that may become life threatening. A general rule of thumb is a snake’s striking range is 1/3rd of its total body length – impossible to guess when they are coiled up.If confronted by a snake stay perfectly still.

While out in the bush wear closed in sturdy boots and long pants. Carry a first aid kit – they make great ones that clip onto your belt or at least carry a compression bandage and a mobile phone or emergency beacon. Remember just because a snake is not venomous does not mean it’s OK to be bitten – they have bacteria on their fangs and in their mouths which can cause a nasty infection.

It is illegal to capture and transport a snake without a specific permit in all states of Australia.
Do not make sudden movements in front of the snake. They will get nervous and may strike and bite. Keep your movement very, very slow and never ever take your eye off the snake.
Snakes always look in best condition just after they have shed their old skin.
Snakes are more active during the heat of the day as the temperature rises – this is when they move faster!

DO NOT place a snake in a fridge or freezer to ‘slow it down’. This is a cruel practise and above all different snakes can tolerate different cool temperatures and you may kill the snake with exposure to cold.
Using a tripod is often out of the question – if you can that’s great but......
If photographing snakes behind glass use a polariser filter.

An image of the head (better with the tongue flickering) will have a much greater impact then a snake totally stretched out because a stretched out snake takes up only a small thin part of your image. A snake coiled makes a pleasing symmetrical image.

Pre focus if possible. We often use a cable release to limit the movement of our hand to and from the camera.

Equipment & Technique:
We use a digital SLR and a range of lenses including 105mm macro (keeps us a little further from the subject – the 180 and 200mm are also great) and a 70-300mm.
Use flash sparingly and if need be diffuse it or bounce it to make it softer.
ISO’s are kept as low as possible.
Modes – Aperture priority or manual.
Always be kind to them – they are an animal of our planet, have a place in the ecosystem and deserve our respect.
A TOP BLUEDOG PHOTOGRAPHY TIP
Remember when working in the outdoors to keep your camera bag zipped up. Snakes move silently, your bag is warm and it may just provide them a perfect place to coil up for a rest.

Friday, 1 May 2009

April Winner

The winner of the Bluedog Photography 'Subscribe' voucher for April is...........drum roll.............. Sam K. from Brisbane!
Congratulations Sam you can use your $50.00 voucher for any photography workshop, retreat or tour!!

http://www.blue-dog.com.au/newsletter-photography.htm

10 Reasons Why You Should Do Photography

1. Why not?
2. Because it's fun!

3. It get's you out and about.

4. It de-stresses - that's always a bonus!!

5. You meet new people.

6. You see the world in a different way.

7. You get some exercise - um..... better than sitting in front of a computer!

8. Learn a new skill - or improve on one.

9. It's fun being part of the world's greatest hobby!

10. It's fun!!!!!